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Tysen Kaminski, Maddy Kaminski and Alex Kaminski gather in front of the playhouse they all had a hand in building.
The Kaminski family lives in a two-bedroom, 1929 Tudor in the Cheery Lynn Historic District in Phoenix.
The front door to the Kaminskis main home leads to a quaint eating area, family room and recently overhauled kitchen.
Pine trees dating back to 1917 were taken down from the property, and the Kaminskis used cross sections of one of the tree branches as stepping stones leading to the playhouse.
Maddy loves to pretend she is a veterinarian, so the playhouse comes complete with a chest of wire “kennels” for her patients.
A series of dollar-store puzzles hang on the wall in the family room.
The Kaminskis thought a box of flowers would add a little color to the front of the house.
Alex Kaminski made sure the playhouse allowed for him to hang out, but no other boys.
The Kaminskis saw this round window and knew they had to have it. In fact, they searched for the windows first and built the house around what they found.
The second floor of the Tudor-style playhouse feels more like a Bohemian-influenced loft, complete with a cache of stuffed animals.
Alex Kaminski used yard fencing as his shingle source, cutting and affixing each one in a classic Tudor style.
The staircase leading to the second floor was once a ladder, and at one time didn’t have a railing, until Alex Kaminski realized it needed one.
Directly adjacent to the front of the house is Maddy’s garden, which was recently harvested by her pet bunny.
There is always time for dancing and singing in Maddy’s kitchen. In fact, Maddy’s parents have on occasion heard her singing along with her karaoke machine while they were inside the main house.
The electric fireplace in Maddy’s playhouse not only adds ambiance but serves as a great spot for imaginative play.
Tysen Kaminski took it upon herself to customize Maddy’s play kitchen, a set from IKEA, by adding a laminate marble-style overlay and crystal knobs.
Tysen Kaminski admittedly didn’t have much of a plan when she started painting the plywood in the playhouse. And she wasn’t real concerned when a little gold glitter found its way there, either.
In line with Maddy’s love of dogs are a couple hand-painted, ceramic guard dogs, positioned out front of the playhouse.
The front door to Maddy’s house was an original door from the main house, painted turquoise and adorned with a seasonal wreath.
The “Castillo Del Amor” sign that hangs next to the front door was a gift to Maddy from one of the men who helped Alex with the home’s construction.
Maddy’s favorite spot in her playhouse is a couch on the first floor, which her parents found at an antique store and refurbished.
The “Darling” wish for Maddy hangs in the entryway of the playhouse, each vinyl letter painstakingly cut and placed as the clock ticked toward the neighborhood’s home tour earlier this year.
The turquoise door on the deck of the playhouse leads to the second floor loft.
From the entry, visitors immediately see the staircase leading to the second story and the attention to detail, such as the molding along the staircase.
A ladylike chandelier hangs from the 15-foot ceiling in the entryway of the playhouse, tying in the front door’s crystal knob.
Maddy with her bunny, the one that ate her garden.
Just as she had hoped for, Maddy was able to hang collage frames filled with photos of family along the staircase leading to the second story.
Maddy’s “house” is nestled in the backyard of her parents’ 1929 Tudor, tucked in under a canopy of pine trees.
Maddy Kaminski doesn’t really bother herself with square footage and detailed architectural plans. Or permits or invoices or subcontractors she doesn’t regularly exchange small talk with over a bowl of cereal.
She knew she needed her own space, for her and her dogs. She knew she wanted that space in her backyard. She knew she wanted to be able to hang family photos along the staircase wall. And, she knew she wanted someone who sees her in her pajamas every night to build it.
Good thing her parents knew what they were doing. Or, at least learned what they didn’t along the way.
Maddy, a sweet 6-year-old living in a 1929 Tudor in the Cheery Lynn Historic District in Phoenix, recently “moved in” to a replica of the house in which she sleeps. Technically, she moved her stuff into the home, her toys and stuffed animals and a cozy bean bag for the loft.
To be sure, mindful thought was given to every last detail of that quaint, 118-square foot tiny Tudor that sits beneath a welcome canopy of pine trees, right down to the crystal doorknobs, the crown molding and the address plate out front.
She likes the couch the best, which clearly has nothing to do with the actual construction of the house, but found new life after being rescued from a nearby antique shop and was then refinished with a slate gray paint by her mom.
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“This neighborhood is older, and there aren’t many kids, so we wanted a place for her,” Tysen Kaminski, 35, said of the impressive playhouse. “Her friends loved it. They didn’t want to go home.”
Seemingly not one aesthetic detail was forgotten. But, a few logistical details may have been overlooked in the beginning, when Alex Kaminski got going on the project. But, by sheer luck and serendipity, those overlooked details fell right into place.
The square footage of the house fell just short of what would require a permit. The 15-foot peak of the roof measured to the inch to local requirements, even though it was taller than Alex had thought it would be. And the steep ladder that allowed for access to the second floor swapped out easily for a set of petite stairs.
“I built it for her because I kind of always wanted one when I was little,” Alex, 33, said of the house he began building in November of last year and finished just before the neighborhood’s home tour in March. “I actually got into it. I loved doing it.”
That love shows.
Maddy’s visitors are greeted by a turquoise front door, adorned with a seasonal wreath and adjacent to a flower-box accented front window.
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Once inside, the vaulted ceiling in the entryway towers 15 feet, with a delicate, and very ladylike, chandelier dangling from the highest point. A large wish, made of whitewashed wood and vinyl cutouts, hangs on the wall directly across from the entrance.
Alex admits that the piece was bitterly painful to complete, but worth it in the end.
“That was the final touch,” he said of the piece, revealing that caulking the seams and adding crown molding also brought the entire place together in a different way.
The entryway leads in one direction to a play kitchen and the other way to what would be a family room in “normal” sized homes. That room holds an electric fireplace that works and a tower of wire baskets filled with stuffed dogs, for when Maddy lives out her fantasy of becoming a veterinarian.
The medical charts for the dogs sit just off to the side.
“She just loves dogs,” Tysen said of her daughter, who placed two, hand-painted ceramic dogs out front of the house, not far from the address tile.
Yes. The playhouse has an address. And it includes a fraction, obviously.
In lieu of true flooring, Tysen found inspiration one day and transformed the house’s plywood base into a multi-colored, one-of-a-kind flooring that added a finish and dimension without adding cost. A dash of glitter helped, too.
The look carries up the stairs to the second floor, collages of family photos guiding visitors up the stairs just as Maddy had hoped.
The second floor, which feels very much like a loft, has a door that leads to an outdoor deck that wraps around to the front of the house. It’s where Maddy hopes to one day affix a zipline for a quick escape, Home Alone-style.
“I want one from here to the door,” Maddy said of her hopeful amenity, which would connect her, aerially, to the 910-square foot, two-bedroom main house.
It’s from the deck that Maddy’s guests gets an up close view of the house’s wooden shingles, which mirror the main home’s roof. Alex corralled wood fencing, like the fencing that bordered their yard, painstakingly cut the fencing into shingles and laid them one by one on the roof.
For him, it was all about the look.
“I wanted it to match our house,” he said.
And that it does. To a T.